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Original Posters

Open a larger version of the following image in a popup: David Hockney, George Lawson and Wayne Sleep 1972-75, 2019
Open a larger version of the following image in a popup: David Hockney, George Lawson and Wayne Sleep 1972-75, 2019

George Lawson and Wayne Sleep, 1972-75

David Hockney
George Lawson and Wayne Sleep 1972-75, 2019
Poster
42 x 30cm (unframed)
This poster was created for the M Woods Museum (Beijing, China)
Mr & Mrs Clark's
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Further images

  • (View a larger image of thumbnail 1) David Hockney, George Lawson and Wayne Sleep 1972-75, 2019
  • (View a larger image of thumbnail 2) David Hockney, George Lawson and Wayne Sleep 1972-75, 2019
George Lawson and Wayne Sleep
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This poster was created for the ground breaking exhibition at the M Woods Museum (Beijing, China), 2019. This paper is thick heavy stock, with a matt finish.

 

The image is of 'George Lawson and Wayne Sleep' 1972-75, which is owned by the TATE. This poster is part of a series of 4.

 

David Hockney's double portraits are a significant body of work that he began in the late 1960s and continued to explore throughout his career. These paintings feature two individuals, often portrayed side by side, engaging with each other in various settings and contexts.

 

The double portrait format allowed Hockney to delve into the complexities of relationships and human interactions. He was interested in capturing not just the physical likeness of the subjects but also the dynamics of their emotional and psychological connection. Hockney's unique approach to portraiture often involved experimenting with perspective, color, and composition to convey the intimacy and complexities of human relationships.

 

One of Hockney's most famous double portraits is "Mr. and Mrs. Clark and Percy" (1970-1971), which features the dress designer Ossie Clark and the fabric designer Celia Birtwell, along with their cat Percy. The painting is a masterful representation of the couple's relationship, with Ossie seated and Celia standing, looking out of the painting while their cat sits on Ossie's lap.

 

Hockney's double portraits are characterized by his distinctive use of bright colors, bold patterns, and an almost cinematic perspective that adds a sense of movement and depth to the scenes. He often used acrylic paints and created large-scale canvases, allowing him to immerse the viewers in the intimate world of his subjects.

 

Throughout his career, Hockney has continued to explore the double portrait format, adapting his style and technique to reflect the changing times and his evolving artistic vision. His double portraits remain celebrated for their innovative approach to portraiture and their ability to capture the complexities and nuances of human relationships.

 

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Exhibitions

M Woods Museum (Beijing, China)

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